Steven Gee

Tasteful Thickness
Solo exhibition. ArtLacuna, London, 2016

Exhibition view
(left)
(Hanging, 2016
Digital green screen fabric on wood (Unfinished)

(middle)
Therefore, many of the gaps are in fact recommendations as to where there is scope to do more to reduce a particular, 2016
Oil on canvas (screenshots taken from an unloaded Google image search of Plasterboard)
Look at that subtle off-white coloring, 2016
Digital print on wallpaper, Kindly supported by Bees & Honey
(middle)
Self Portrait (after Leonhard Euler), 2016
Oil on Linen, Painted by Ruozhe Xue

(right)
Hanging), 2016
Digital green screen fabric on wood (Unfinished)
Therefore, many of the gaps are in fact recommendations as to where there is scope to do more to reduce a particular, 2016
Oil on canvas (screenshots taken from an unloaded Google image search of Plasterboard)
Exhibition view
Self Portrait (after Leonhard Euler), 2016
Oil on Linen, Painted by Ruozhe Xue
I always preferred Robert Ryman anyway, 2016
Anish Kapoor publication, white paint, bolts
Exhibition view
Oh my God, it even has a jackfruit juice mark, 2016
Reflective white fabric, Velcro, wood, jackfruit juice, Christian Bale standing in fron of the work, looking (not included), intentional pencil marks on wall behind, made to look unintentional, Kindly supported by JRC Reflex
Exhibition view
JRC Reflex, bees&honey, 2016
Digital print on reflective white fabric, wood, Kindly supported by JRC Reflex
“Do you like Phil Collins?”, 2016
Genesis-‘ Invisible Touch’ CD inside ‘American Psycho’ DVD case